I’ve got a puzzle going now, as usual. It’s a scene of a cathedral in Ireland with some brightly colored houses in the foreground. Sorry, no pictures! It’s pretty standard for a 1000 piece puzzle. The houses and cathedral were relatively easy but the sky isn’t. Shades of blue and gray and white. This particular brand of puzzle has pieces that are all essentially rectangular with either zero, one, two, three, or four ‘outies’. (One could say the same thing about ‘innies’.)<\/p>\n
I’ve finished the easier part and now I’m working on the sky. I’ve got about 200 pieces left. I’ve found that I can segregate the pieces by number of outies (or innies) and make better progress on the puzzle. Yes, I know it’s about a process not a result. It’s still slow, but I have to feel I can find at least a few pieces every time I sit down.<\/p>\n
Now the last puzzle I did was different. It was a forest scene: a stream surrounded by trees with varying foliage. Greens, reds, yellows, oranges, browns – lots of colors but not in any particular pattern. Oh, and blues, grays and blacks in the stream part. It was one of the hardest puzzles I’ve ever done but one of the most interesting. I think the reason why is that the pieces were not symmetrical like the one I have going now. They were all over the map. In fact, some of the pieces were rather bizarre looking. No pre-sorting these babies! No pictures of that one either.<\/p>\n
It’s funny, some people will take their completed puzzle and put a backing on it and frame it. Not me. For me, it’s all about the process. I usually leave the completed puzzle on the table for a few days and admire the picture but then it’s back in the box and on to the next one. Most puzzles I’ll take to Mom or someone else who likes to do them. Failing that, it’s Goodwill time! Most of the time I’m not interested in doing a puzzle a second time.<\/p>\n
The forest stream one I’m hanging on to. It will get another shot in a year or two.<\/p>\n","protected":false},"excerpt":{"rendered":"
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