Tag Archives: Franco

guitars

After two weeks without posting there is so much to write about I hardly know how to start. I’m going to talk about my visit to Norman’s Rare Guitars in Tarzana last week.

Sepi and I went to Southern California to visit family and friends. That’s another story. I happened to see a little video thing by a guy named Mark at Norman’s a few weeks ago and thought it would time to see if my 1989 Telecaster Custom shop had any value. Here’s a picture of me playing it at Vince’s in 2011.

That’s Franco playing my Washburn bass in the background. Here’s his story.

I was prepared for a big guitar store, but Sepi was gobsmacked. She took about a hundred pictures. Here’s a view of part of the store.

It didn’t take long for the expert at Norman’s (Mark) to tell me the Tele was worth about what I paid for it. Of course I would have to give a significant discount if he were to buy it for the store. I’ll hang onto it . . .

Well, naturally, as long as I was here I was going to look around. The first thing I spotted was an Epiphone Century just like Peter’s except in better condition.

Then I looked for an example of the late ’60’s ES-335 I used to own. Yep, they had one.

Now I’m thinking of other guitars I used to own. My high school friend Bruce Johnson sold me a Gibson Melody Maker that I used for a while. No pictures of this exist and even my memory is a little cloudy but I’m pretty sure it looked like this.

None of these guitars spoke to me now. I was thinking of leaving and took one more turn around the shop. There were some archtops I hadn’t noticed before. One was a Gibson ES-150 from the early 1950’s.

Looked, played, and sounded very nice. Sepi suggested that if I liked it more that the Tele, I could work a trade.

Aieee! I hadn’t thought of that. I called Mark over and he said I needed to talk to Norman who was busy at the moment. More agonizing while Sepi encouraged me. I already had a very similar guitar although not a vintage Gibson. What a dilemma!

In the end I decided to let it go. I think I can sell the Tele myself for a lot more. I don’t want to be a guitar collector, just a guitar player. Time to go practice!

Franco

I mentioned Tom Kent in these pages not too long ago. Tom is very gregarious and when he moved back to Northern California from New Mexico, it wasn’t long before he had found people to play music with. For the most part I have been content to tag along and sit in with Tom’s band when I could. Starting around the same time, Tom & I got together with our old band mates from the ’70s about once a year.

Even though I had played guitar in that band, I had played more bass in the intervening years so I was usually the bass player.

The bass player in Tom’s band was a crusty guy just a little older than me named Franco. I say crusty – he was friendly enough but perhaps a little suspicious in those early days of Tom’s old friend showing up at jobs. He was in his element at bars and seemed to know everybody. I remember one time early in our relationship when I had come down to the Valencia Club in Penryn to hear and perhaps sit in with the band, Franco was slow getting back to the bandstand after their first set. After they called several times and he didn’t appear, I plugged in my bass and started playing with the rest of the band. That got him back out there right away. He was nice but firm: ‘I’m the bass player.’

As the years went by I hung out with the band a few times a year, less often at jobs than at rehearsals at Vince’s house in Loomis. There we could relax when not playing and chat without the distraction of bar patrons and we became friends. I had made it clear that I wasn’t trying to get into the band permanently on either instrument. The band, especially in the early 2000s, was pretty busy, playing 3 or 4 times a month around the Gold Country. I was still getting my feet back under me musically.

Franco was not a flashy player, but he had been playing professionally for a long time, mostly in country bands. He knew what sounded right and how to do it. I always enjoyed watching him work with Tom and the band on parts of songs. He was not the leader – Tom was – but when something wasn’t right, he demanded that it get fixed, and stuck with it until it was.

As time went by, Franco let me sit in on bass every once in while. Usually I was the third guitar player. By then I knew most of the songs the band played so there wasn’t a huge let down in quality.

It was about this time 5 years ago that I sat in for Franco for the last time. Of course I didn’t know it then. The band was playing at a pizza restaurant in Cool. Just before the second set he said he wasn’t feeling so good and would I mind playing. No! I had gone outside during the first set and I remember marveling at the strong and clear bass sound that carried well out past the parking lot.

I don’t remember how the evening ended; whether I played bass for the whole rest of the evening or Franco came back. There was no indication that anything serious was wrong but it was only a little over a month later when Tom called me with the news that Franco had died.

I was honored to play through his rig with the band at the memorial. Later I bought it from his nephew and treasure it still. Franco wasn’t married and had no children so the nephew was the closest relative he had. The band has had a few bass players since but none to match Franco.

Rest in Peace, Franco Giovannoni. The heavenly band is better for your presence!