Daily Archives: March 15, 2020

dystopias

When I went to put The Sheep Look Up back in the bookshelf, I saw a couple of other books there that might qualify as dystopias.

I need to say that I’ve been reading science fiction since I was about 12 years old. That’s more than 50 years, kids! I used to have a large collection but gave away many in my last couple of moves. In my opinion, the ones I have left are the best of the best. Certain authors are well represented: Isaac Asimov, Robert Heinlein, Larry Niven, Frank Herbert, Joe Haldeman from the 1950’s through 1970’s. Others have only one.

Alas, Babylon is the only book by Pat Frank in my collection. Actually, I can’t remember even reading anything else by him. It’s not really dystopian. It’s the story of a small community in Florida after a nuclear exchange. Just looking at the book spine today triggered a thought that that was similar to the Brunner stories.

The other one that seemed similar in my mind was the Larry Niven novel about a comet hitting the earth, Lucifer’s Hammer. That’s not really a dystopia either.

John Varley’s Titan trilogy would qualify as dystopian even though the bulk of the action takes place away from earth. In it, the madness of humans destroying their home planet drives the story.

Since the basic technique of science fiction is to imagine a future world and build a story around it, it shouldn’t be surprising that most are rather dark.

Younger authors that I like a lot have written about dystopias. Snow Crash by Neal Stephenson and the early William Gibson novels, beginning with Neuromancer, are clearly dystopian.

The more I write that word, the less I like it. Maybe I’ll do a list of the SF novels in my library – not that many, less than 50 – and do a quick description/review. Some are hopeful . . .

The Sheep Look Up

The Sheep Look Up is a title of a John Brunner novel from the early 1970’s. In my mind it always went along with his earlier novel Stand On Zanzibar in its dystopian view of the world. I read them when they came out and still have my original (paperback) copies. After the events of the last couple of weeks, I dug out my copy of The Sheep Look Up.

It’s pretty strident. Brunner’s anger shows through on every page. Reading it again made me think about what we all thought about pollution in those days and what we did about it.

Stand On Zanzibar had a relatively upbeat ending, though, whereas The Sheep Look Up does not. Air, sea and land are poisoned so thoroughly worldwide that human survival is in question.

The last chapter is simply a quote from the John Milton poem Lycidas:

The hungry sheep look up, and are not fed,
But swoln with wind, and the rank mist they draw,
Rot inwardly, and foul contagion spread.

social distance

. . .  and self isolation.

Phrases that I didn’t expect to be using to describe myself until very recently. Two weeks ago I was buying travel supplies at the drugstore, getting a haircut, and getting serious about what clothes to take on the tour.

Then, just before the show on Friday the 6th came word that the SF Performing Arts complex was going to be closed to the public starting the next day. The Ballet had a show scheduled at the Opera House. Cancelled. The Symphony was scheduled to perform at UC Davis. That went on but our performances for the next week were not going to happen.

The original announcement only – now I say ‘only’! – was for a closure of two weeks, until the 20th. Tuesday morning the announcement was made to the orchestra that we weren’t going to Europe because several venues there had closed due to the virus. New York’s Carnegie Hall was still open, though, so we continued rehearsals. The ban on public assemblies in San Francisco was extended first one more week, then two more still.

Thursday morning’s rehearsal became an orchestra meeting. Everyone put away their instruments. The official word came: New York was closing too. We weren’t going anywhere. The entire Symphony administration was being told to work from home. Orchestra committees had hurried meetings with management about what to do. It was decided that we would all go on vacation for 4 weeks, until April 11. That’s when we would have come back from Europe. Rehearsals and performances were in the pipeline.

Vacation is not the right word for what we are doing now: social distancing, and self isolating. At first, I thought that Sepi and I could use the time to get in our car and drive to LA, or Colorado, or Washington where we could visit friends and family. After some reflection we realized what self isolation really meant: stay home!

I was all set (in my mind) to go down to Mom’s and hang with her for a couple of days but that was nixed. Mom’s in the most vulnerable group! We don’t know if we’ve been exposed!

In Seattle, the orchestra there is performing for an empty hall and streaming the music to the public. In San Francisco we can’t even do that because the ban is for assemblies of 100 or more. Maybe we could do Mozart . . .

And the ban is now extended to April 30th. We have no more ‘vacation’ left. Will we still get paid? Big conventions, which are the bread and butter for many of my Local 16 brothers and sisters, have disappeared. Those people have nothing. A few hundred dollars a week from unemployment.

I will try to write about more uplifting things in the days to come but that is the environment.