Category Archives: Music

SoundBox

December SoundBox is over, except for the load out tomorrow morning. I plan on spending some time cleaning up my cue library and making some notes on good practices. I got caught with my pants down last night when I took a cue out of order and a few minutes later another one obliterated it. When Tim rolled the video cue, I got sound, but only out of two or three speakers in one corner of the room instead of all over. Oopsie!

Much of what I learned last year is still in my mental attic, so to speak. Seven months of essentially no time spent on CueStation has left me with cobwebs. I suppose I was over confident and didn’t check what I had carefully.

MTT noticed, and during the intermission the query came through channels to me: ‘What went wrong and is it fixed?’ ‘My bad, Maestro.’

It was an MTT program and, as such, it was tremendously interesting. What threw me, especially since I didn’t prepare properly, was the talking and video roll between every piece. Someone said to me early in the week that MTT was really doing a Lou Harrison seminar. All the music was Harrison’s. There was also an audio only roll (ten seconds of Schoenberg’s music) that I got at 5:30 Friday afternoon with sketchy instructions and no rehearsal. I played it live and at least it came out of the correct speakers . . .

The best part of the week was watching the percussionists playing literally everything including the kitchen sink. Well, there wasn’t a kitchen sink, but there were the ’50s era brake drums. Two of the pieces had no conductor and they had to find and agree on a (n unheard) pulse and maintain it while other instruments were playing something radically different.

I talked to them after the concert. They all were gathered at a table unwinding. They said it was very satisfying but mentally draining. I suppose that goes hand in hand. It was an interesting to contrast what they do with the drummers in the Skyline Band. I played a concert with them yesterday afternoon. Nathaniel and James are very good drummers but I happen to know that at least three of the Symphony percussionists are very good on kit and could probably have sat in and done the concert cold.

My favorite piece of the evening was the Suite for Violin and American Gamelan. Nadya played the violin and Jake, Raymond, Tom, Loren, Artie, and Stan filled out the gamelan. Stan had a thing that had an octave or so worth of metal bars about one foot by two mounted on huge tubes from two to six feet long. The sound just rolled out of them across the room with the violin swimming in it.

Sarah came last night which was nice but I was so twitchy about all my cues that she din’t stay up on the jump with me. She just went down on the floor and hung with her friends. I was able to chat and meet with them after the show which was nice.

Mariachi

It’s rare that I play a CD in its entirety over and over but I’ve been doing that the last couple of days with a new CD I got by Mariachi Flor de Toloache. This morning the song Besame Mucho from the CD has been stuck in my head. I spent some time looking up the history of the song and some other versions on YouTube. I was of course familiar with The Beatles version but this is my new favorite.

Mariachi Flor de Toloache was the opening band in the Symphony’s Dia de los Muertos concert a couple of weeks ago. I thought I had given them a shout out in this blog but I couldn’t find it. They were awesome! Nice people and great music. It’s in the mariachi tradition but different. The lead singer, Shae Fiol, has an amazing instrument that I happened to get an up close taste of during rehearsal when I had to go out to adjust a mic stand. Check them out: 170x170bbThe headliner was a band from LA called La Santa Cecelia. They were good too but they didn’t grab me the same way. I bought a couple of their CDs but haven’t given them the full listening treatment yet. They seem to be more from the Tex-Mex tradition with the accordion and electric bass.

Franco

I mentioned Tom Kent in these pages not too long ago. Tom is very gregarious and when he moved back to Northern California from New Mexico, it wasn’t long before he had found people to play music with. For the most part I have been content to tag along and sit in with Tom’s band when I could. Starting around the same time, Tom & I got together with our old band mates from the ’70s about once a year.

Even though I had played guitar in that band, I had played more bass in the intervening years so I was usually the bass player.

The bass player in Tom’s band was a crusty guy just a little older than me named Franco. I say crusty – he was friendly enough but perhaps a little suspicious in those early days of Tom’s old friend showing up at jobs. He was in his element at bars and seemed to know everybody. I remember one time early in our relationship when I had come down to the Valencia Club in Penryn to hear and perhaps sit in with the band, Franco was slow getting back to the bandstand after their first set. After they called several times and he didn’t appear, I plugged in my bass and started playing with the rest of the band. That got him back out there right away. He was nice but firm: ‘I’m the bass player.’

As the years went by I hung out with the band a few times a year, less often at jobs than at rehearsals at Vince’s house in Loomis. There we could relax when not playing and chat without the distraction of bar patrons and we became friends. I had made it clear that I wasn’t trying to get into the band permanently on either instrument. The band, especially in the early 2000s, was pretty busy, playing 3 or 4 times a month around the Gold Country. I was still getting my feet back under me musically.

Franco was not a flashy player, but he had been playing professionally for a long time, mostly in country bands. He knew what sounded right and how to do it. I always enjoyed watching him work with Tom and the band on parts of songs. He was not the leader – Tom was – but when something wasn’t right, he demanded that it get fixed, and stuck with it until it was.

As time went by, Franco let me sit in on bass every once in while. Usually I was the third guitar player. By then I knew most of the songs the band played so there wasn’t a huge let down in quality.

It was about this time 5 years ago that I sat in for Franco for the last time. Of course I didn’t know it then. The band was playing at a pizza restaurant in Cool. Just before the second set he said he wasn’t feeling so good and would I mind playing. No! I had gone outside during the first set and I remember marveling at the strong and clear bass sound that carried well out past the parking lot.

I don’t remember how the evening ended; whether I played bass for the whole rest of the evening or Franco came back. There was no indication that anything serious was wrong but it was only a little over a month later when Tom called me with the news that Franco had died.

I was honored to play through his rig with the band at the memorial. Later I bought it from his nephew and treasure it still. Franco wasn’t married and had no children so the nephew was the closest relative he had. The band has had a few bass players since but none to match Franco.

Rest in Peace, Franco Giovannoni. The heavenly band is better for your presence!