Tag Archives: Esa-Pekka

Sasha

I just put up a post that I wrote last week and only just got out. In the meanwhile, life went on, and in the due course of things, we took the Symphony to its annual appearance at Stern Grove last Sunday. At the end of the concert I was busily packing up the various bits and pieces when suddenly our concertmaster, Sasha Barantschik, was standing next to me.

As with Esa-Pekka, my relationship with Sasha has been cordial and professional. Unlike Esa-Pekka, Sasha is not an international star. He has been concertmaster for the SF Symphony for more than 25 years, a not insignificant accomplishment. Not being a jet setter, Sasha goes out into the trenches every week, playing whatever and for whoever, happens to be on the program that week. Given that, I have a more relaxed relationship with him. We can make little jokes with each other when it’s time for him to go out and tune the orchestra. Or, at Stern Grove, where we don’t have our usual methods of signaling, I had to walk out to where he was sitting on stage to tell him it was time to start. We always get a little chuckle out of that.

Sasha’s wife, Alena, plays occasionally with the orchestra as a sub. She was with him on Sunday.

He came up to me and said, ‘This is goodbye.’

I was taken aback until I realized that Sasha always takes off for the summer pops season. This had been our last concert together with me as Stage Manager. Flashing on my picture with Esa-Pekka, I said, ‘Can we get a picture?’ He said, of course, and Alena took this lovely photo.

Sasha has the same birth year as me. I made a little joke about him joining me in retirement. He didn’t bite.

Esa-Pekka

I don’t usually think about having my picture taken with anyone, much less famous people. I’ve spent my whole career working with more or less famous people and, for the most part, they’re there to do a job just like I am.

With the end of my time with the Symphony approaching, I thought about my relationship with Esa-Pekka Salonen. His time with the Symphony is not coming to an end like mine but his status has changed profoundly in the last six months. Like mine.

Our relationship has been cordial but businesslike. I like to think I’ve earned his respect as a stage manager. Any social contact I’ve had with him has been in the context of a party with lots of other people around competing for his time.

Anyway, with the orchestra retirement party last week, I thought it would be cool to have a picture taken of just the two of us. It turned out he wasn’t at the party very long so I missed that opportunity.

Yesterday was his last concert and I was sure he’d be jetting off somewhere right away. I asked Shoko, his secretary, if she could identify a moment when I could get a picture with him. Her first question was, what about tomorrow? He was staying for the Principal Bassoon audition.

But we already had plans to go to Mom’s after Sepi’s PT appointment. I resigned myself to not getting one.

The concert was Mahler’s 3rd Symphony, a six movement, 100 minute behemoth performed without intermission. Afterwards, we were busy clearing the stage for the auditions so I was running around, not thinking about it, when suddenly there he was in the hallway with Shoko!

She said, do you want to take that photo?  I said yes and it was done!

Retirement party

Trying to write after a long layoff . . .

I get ideas – usually in the small hours of the morning – but translating them to written text has been extremely difficult. Is it writers’ block? I don’t really consider myself a writer. I would like to write more. I think I write well. I don’t think I am a ‘writer’.

I spend a lot of time at work on a computer. At home, I actually have a decent setup but there always seems to be something else I should do. I keep thinking I will use that early morning good energy time to write. Someday . . .

And someday may be approaching. After Sepi and I made the decision last January that I could retire, the actual date has crept closer and closer. Jon at work got me a countdown display that shows days and hours (and minutes and seconds!). I keep it on the Stage Manager’s desk for anyone to see. I believe it’s on 41 days today.

Yesterday at work was an annual event honoring the members of the orchestra who are retiring. Surprisingly to me, I was included in the celebration. Esa-Pekka made a little speech during the concert in which I was called out on stage for applause from the orchestra and the audience.

After the show there was a gathering with food and drink in one of the backstage rooms. Michele got up and said some nice things about me. I then spoke briefly, thanking my crew, Michele and Tim but forgetting Sepi. I found that I got rather emotional doing it. I really love the orchestra. They all appreciate what we do.

I really do consider it the pinnacle of my career. It’s a hard job but being part of the team that helps a great orchestra make great music is very satisfying.

After many years of hiding it, I let the cat out of the bag to certain members of the orchestra that I like to play music. I was reluctant to do that because I know how good these musicians really are. I’m not even close to their level. To a person, though, they have been supportive of my music making.

Lately, a common question I get is what am I going to do in my retirement. I say play more music. Then I say write more.