Tag Archives: Local 50

F. X. Crowley

FX died this week. He got a real obit in the Chronicle so he was really somebody. Leader of my Local Union, IATSE Local 16, business manager of another IA Local 119, member of the SF Labor Commission for many years, member of several important San Francisco commissions including the PUC and the Port Commission. It was as a member of the Port Commission that he got the America’s Cup to come to San Francisco Bay in 2013. Pier 27, now the cruise ship terminal which is right down the street where I live, was the center of those activities.

I met FX in 1979. I was working on the pre-Broadway production of Evita at the Orpheum Theatre. The set was primarily a raked stage but there was a small counter raked stage built into a track system that allowed it to moved up and down stage for different scenes. Nowadays, there would be a big electric motor hooked up to some cables to pull the stage up and down but at that time it was Gary Heider and me cranking on a manual winch. One scene had about a dozen people on it and Harold Prince, the director, was unhappy because it wasn’t moving fast enough. Enter FX. He was a college student on summer break from a Southern California school – I don’t remember which, not one of the big ones – and got sent out by the hall to add his muscle to pulling the stage.

I had done stage work with FX’ older brother Joe so I knew he was well connected. Their father was the President of the SF Labor Council at that time.

We got along fine. A couple of years later, I was running the Sound Department for SF Opera and FX got hired to work in the Electric shop. He was a full time stagehand now. We were doing a thing we called archive video where we ‘archived’ each production by making a video tape of the final dress rehearsal. Because the camera did not have a good dynamic range, it was necessary to have an operator move the camera to follow the action. FX was that guy.

The archive video thing turned out to me be more trouble than it was worth and the company stopped it after a couple of years. FX moved on to other work away from the Opera House and I lost track of him.

In 1990, I decided San Francisco wasn’t a good place to bring up my kids, so the family moved to Grass Valley. I found it difficult to get work and so ended up driving back to SF for stage jobs. In fact, I was floundering around when FX called me to see if I might be available. He was working as a dispatcher in the Union office and remembered me.

After about 6 months, I found work in Sacramento and lost touch with FX.

In 2006, through a series of coincidences that will be the subject of another story, I became Business Agent for Local 50 Sacramento, where I had been working. FX was by then BA in San Francisco so we reconnected as colleagues.

He was riding high. The Local had lots of work and he had a great team in place in the office. He had a grand vision for unifying the the Bay Area Stage Locals to provide more leverage with employers. Local 16 was already leading the way with technicians who were among the best in the country. I told him I thought it was a good idea but that there would be many pitfalls, not least of which was turf wars.

By 2008, I was a mess. I had been forced to resign the Sacramento BA job, my marriage was finished and the real estate ventures we had taken on were failing. Bankruptcy was on the table and it seemed that San Francisco would be a better place to continue my career. I got in touch with FX and he was very supportive. He got me work right away. After acouple of months, I knew I was home again and I asked FX if I could regain my status as a Local 16 member.

Without going into all the technical details, he came up with a plan, got all the necessary approvals, and I was a Local 16 man again. Thanks FX!!

FX’s time as the Local 16 BA was not without problems, and, not long after I got re-established, there was a revolt at the ballot box and his office team was broken up. Within a year, FX resigned that job to run for San Francisco Supervisor. He lost by a very small margin in one of the early tests of the ranked voting system.

I only saw him a few times after that. He was always upbeat, a very powerful presence. Whatever it was that he was doing at the time, he was enormously positive about his chances of success. For the last couple of years, I had been hearing rumors of his failing health and I kept thinking I should reach out to him. But I didn’t.

With my shiny new retirement last summer, I was invited to the Local 16 retiree luncheon in December. FX was there and I was able to speak with him. I almost didn’t recognize him as all his hair was gone. He was as forceful and positive as ever, filled with enthusiasm and plans for his job.

What a man! Rest in peace, FX. You left the world better than you found it.

RIP Dennis

Dennis D. died yesterday. He was 65. Dennis was a member of the Symphony stage crew for more than 25 years until his retirement in July 2016. Here’s a picture of all of us at the end of the load out on his last day. Dennis is sitting at the piano.

I first got to know Dennis when I worked with him at the Opera House in the 1980s. He was on the Props crew. I didn’t see him again until he came with the Symphony to the Mondavi Center at UC Davis around 2006 when I was the Local 50 Business Agent. The Symphony always hired a Union crew there. We had dinner together and had a good time reminiscing.

After I came back to San Francisco, I eventually started working more regularly with the Symphony at Davies Hall and was glad to see Dennis again. Despite my many years of stagehand experience, I was uneducated in the ways of the Symphony. Dennis helped me both directly by instruction and indirectly by example. There are a million details in dealing with a Symphony orchestra and Dennis knew all of them. I noticed that all the other stagehands would come to Dennis whenever they were stuck and couldn’t remember how to do some odd thing that hadn’t been done for a long time. Dennis always had the answer.

Even though Dennis was a life long smoker, he always had plenty of energy and seemed in good health. Two months ago, he went to the doctor with pain in his hip. It turned out to be a large cancerous mass and there were others throughout his body. He was determined to live until his daughter’s wedding, scheduled for New Years’ Eve, but it was not to be.

Our friend and colleague Arno was bereft last night. ‘Why do the good ones die young?’, he asked. I had no answer for him. All I could think of was Zach, but it would do no good to mention that.

Dennis, like Zach, lived life to the fullest. We should honor their memory by doing the same.

Robin’s celebration

I attended the celebration of the ‘life and work’ of Robin Gray last night. The only people I really wanted to see were Kris and Susie but Susie was busy as a kind of a host – it was in her theater – and by the time I got to Kris, it was near the end and she was tired. I was tired. The trip from Pacifica in the afternoon had taken me almost exactly three hours door to door. By contrast, that evening I got home in an hour and 50 minutes including a stop at the grocery store and a stop for gas.

Of the several former colleagues I spoke to, only a couple were people I would like to see again. The conversations were almost exclusively about work. When I mentioned to Kris that I would try to get up to see her at home, she instantly said, ‘No Local 50 talk. We’ve had enough of that for a lifetime.’ I readily agreed.

That was all later. At the service proper, I heard some good stories about Robin but my favorite part was a video that someone had gotten from an appearance she made in front of some theater students. Her inimitable style was in full flower: profane and funny, underpinned with a complete professionalism. I will say that she embodied what I love best about being in the theatre: ready and able to deal with almost any situation, yet never losing sight of the basic goal of touching people emotionally.

‘Band of brothers’ is the phrase that comes to mind but that’s not right since there are many women in theatre. The phrase is also associated with men killing other men, but the idea of a small group of people doing a task that no one outside the group can really understand appeals to me. Robin was a leader in a band of theatre people. It’s a group I am proud to be part of.

I’ve encouraged people many times since the death of Zach to treasure the good things they have while they can. While I regret not understanding better at the time what a treasure Robin was, I treasure the memories I have.